| PARIS, September 11 - On a quiet, windy
        Saturday, as puffy cumulus clouds gradually boiled ominously black, an
        exhibition of Hedi Slimane's photography opened at the Galerie
        Almine Rech, located on a disparate street of the
        13th Arrondissement. On the horizon, the four antiseptic towers of the
        Bibliothèque François
        Mitterand loom like beacons, but the sprinkling of ethnic grocery stores,
        dingy bars and rows of drab concrete-slab apartment buildings give the
        neighborhood a whiff of stark urban decay. In short, the unfashionable
        location is exactly where you might expect to find fashionable people
        in search of the avant-garde. Hedi is full of contrast - a man who's keen eye for pop culture, rock
        concerts and street smart chic has greatly influenced his work, but whose
        natural inclination is always towards the aesthete. A man whose inspiration
        might be working class Berlinerweiss, but whose personal taste likely
        runs towards Veuve Cliquot.  So his projects outside of Dior Homme are particularly interesting,
        as they give the clearest glimpse of the designer
        dismantled from a luxury label. Among the first to arrive at today's vernissage was a contingency
        from LVMH, headed by Delphine Arnault, daughter of the millionaire financier
        and a key supporter of Slimane. As a cleaning lady washed and polished
        the front windows, the group looked over the exhibition, a joint project
        with American artist, James Turrell.  Hedi's photography, black and white images taken from his newly
          published book "Stage", as well as several unpublished shots, are displayed
        on four camera-looking devices mounted on black tripods and positioned
        before whitewashed walls. If there is an underlying
        theme, it is that Hedi's lens captures the energy of young men in motion. Un-posed and
        unrehearsed, the boys are caught shirtless and sweating, arms reaching
        out, celebrating and singing - a veritable tableau of joie de vivre.
        But there is a surrealistic quality in the darkness of the photography,
        as if a pervasive melancholy permeates each frame. Ephemeral beauty may
        flash one moment, before vanishing into shadowy mists the next. Hedi
        Slimane is a master of capturing that essence - the grace of light and
        darkness in play, and the resulting energy is what gives his work so
        much power. Unadorned, un-manipulated, unframed, "Stage" tells us as much
        about the artist as it does the subjects in his view finder.
 James Turrell + Hedi SlimaneSeptember 11 - October 6
 Galerie Almine Rech
 127, rue du Chevaleret
 75013 Paris
 Tel: + 33 1 45 83 71 90   
 
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