World-renowned Chinese pianist, Kong
                  Xiang-Dong,
                recently performed in Silicon Valley, California, for a group
                of high powered CEOs and other honored guests. Kong took
                hold of the audience in a solo piano performance playing the
                orchestral piece and the solo piece of the “Yellow River
                Concerto”. It was musical paradise!
               Kong grew up in Shanghai
                  during the Cultural Revolution and he is now creating a musical
                  revolution throughout the world. Imagine being on the “politically incorrect” list
                during Mao China and by the age of 17 putting China
                on the map for being the youngest prizewinner ever at the Moscow
                Tchaikovsky International Piano Competition in 1986. Included
                in his concert performance were “Liebestraume No. 3”,
                by Liszt, “Nocturne” in
                C sharp minor, by Chopin, “The
                Yellow River Concerto”, by Yin Cheng-zong,
                Liu Zhuang, ChuWang-hua & Sheng
                Li-Hong, “Rhapsodie Espagnole”, by Liszt, and “June
                Bacarolle”, by Tchaikovsky. This
                was a musical “Haute Couture” experience filled with
                vastly contrasting styles and tempos. Literally “in the
                hands” of Mr. Kong this was a spiritual experience.
              Mr. Kong shares the same birth date as Franz Liszt,
                born centuries apart and worlds apart, these two masters are
                brought together “in the music”. At 36 years old,
                Kong plays the piano with an understanding and emotional intelligence
                well beyond his years. Mr. Kong’s interpretation of “Rhapsodie
                Espanole” puts all your senses in overdrive. This piece
                is rarely performed, as it is so complex, Kong’s hands
                seem to move in different directions and the same directions
                simultaneously at a lightening pace with elegance and grace.
                Kong’s performance of Chopin’s “Nocturne” mesmerizes
                you. The soft delicate notes of the piano smoothly slip into
                your conscious mind and reside in your subconscious for hours
                after it has been performed. One cannot escape Kong’s spell,
                as he is able to musically put you in a trance of higher spiritual
                thinking. This is what a “musician’s musician” is
                all about-- music as religion. Kong’s music is so spiritual
                it reaches to the core of one’s existence; he plays his
                music with all his being. Because of his depth musically and
                personally he brings out the gifts in all of us, particularly
                the gift of feeling. Kong reaches to the humanity in all of us,
                just as the teachings of his famous ancestor, Confucius,
                he teaches us about striving to bring out our virtue.
              Where does all this come from? Because
                  Kong Xiang-Dong was
                born during the Cultural Revolution, he was not able to listen
                to western music, as the Chinese government forbade it. He learned
                to play the piano by practicing on a cardboard keyboard made
                by his mother. He heard the notes only in his head, until he
                was able to finally practice on a friend’s piano years
                later. His energy to create music goes well beyond himself; he
                has established the Kong Xiang-Dong Music Arts Center in
                Shanghai. The Music Arts Center introduces and educates
                young people to the world of classical piano and promotes international
                cultural exchange. He currently has 17 schools with about 7000
                students, and is growing that network to 1500 music centers by
                the year 2006. In addition to his mentoring program, he performs
                80 concerts a year throughout the world.
              Mr. Kong has brought music
                  awareness to China by organizing musical galas in Shanghai.
                  He organized a concert with 200 pianos, in his own words, “that is not easy to rehearse, 200 pianos
                playing at once”. By bringing these types of events to
                China with people from all over the world, he teaches about the
                humanness in everyone with music.
              As the 75th descendent of the great Chinese
                philosopher, Confucius,
                Kong brings wisdom to his music. His famous ancestor would be
                very proud that his teachings survive history and continue to
                be passed on to new generations. Confucius said, “It
                is by poetry that one’s mind is aroused; it is by ceremony
                that one’s character is regulated; it is by music that
                one becomes accomplished.” Kong Xiang-Dong has
                accomplished so much in such a short period of time. When Kong
                plays the “Yellow River Concerto”, it is like a transcendental
                experience. His fingers move with elegance, every strike on the
                keyboard awakens one’s spirit to the joy of the human experience,
                beauty, intelligence, happiness, and sorrow as it tells the story
                of the Yellow River, taking the listener on an emotionally charged
                adventure. Kong is an inspiring human being and a national treasure
                to his country. He has managed to combine the beauty in the eastern
                and western musical styles and brought a new understanding of
                the world and human behavior through his music. Xie Xie (thank
                you), Kong Xiang-Dong.